\n\nWeight:<\/p>\n<\/td>\n
\n15.2kg (33.5lb)<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n
JVC DLA-NZ700 projector review: design and features<\/span><\/h2>\n\n\n
\n
The NZ700 uses the same third-generation D-ILA 4K chipset found in JVC’s step-up NZ800 and NZ900 projectors <\/span>(Image credit: Future)<\/span><\/figcaption><\/figure>\n\nWorld’s smallest native 4K projector<\/strong><\/li>\nNew 80mm hybrid lens<\/strong><\/li>\nGen2 Frame Adapt HDR<\/strong><\/li>\n<\/ul>\nThe JVC DLA-NZ700 sports a completely new design inside and out, resulting in a more compact chassis that, along with the NZ500, makes it the world\u2019s smallest native 4K projector. The NZ700 is noticeably smaller and lighter than its predecessor, especially when they\u2019re placed side by side.<\/p>\n
The NZ700\u2019s size and weight have been reduced by utilising a new optical unit and 80mm hybrid lens. However, the build quality remains excellent, and the NZ700 is still finished in matte black, making it ideal for dedicated home theatre installations. It measures 450 x 180 x 479mm (18 x 7 x 19 inches) and weighs in at 15.2kg (33.5lb).<\/p>\n
At the rear are a pair of HDMI 2.0 inputs that support bandwidths up to 32Gbps and are limited to 4K 60Hz (which isn\u2019t great news for console or PC gamers). The HDMI ports can also handle HDCP 2.3, and high dynamic range \u2013 specifically HDR10, hybrid log-gamma (HLG), and HDR10+.<\/p>\n
The provided remote is the same slightly tweaked version included with the NZ800 and NZ900, with its more luminescent light button, and small bumps on the on\/off and enter buttons \u2013 all of which make this well-designed controller very easy to use in a fully blacked-out home cinema.<\/p>\n
The JVC DLA-NZ700 incorporates the same third-generation D-ILA 4K chipset introduced on the NZ800 and NZ900. The new design is more efficient, allowing for brighter images, deeper blacks, and improved uniformity. As a result, despite using the same laser light source as earlier models, the NZ700 has a claimed peak brightness of 2,300 lumens and a native contrast ratio of 80,000:1.<\/p>\n
In addition to the improved black levels offered by the upgraded D-ILA chipset, the NZ700 has the new Deep Black function with its revised algorithm to further enhance contrast without crushing shadows. In addition, the dynamic laser control includes the new Balanced setting for pictures that appear punchier without introducing the brightness fluctuations seen on earlier models.<\/p>\n
The NZ700 has the improved sliding scale control in the laser power sub-menu, allowing for more granular adjustments as you gradually boost brightness without a sudden increase in fan noise, thus enabling the creation of more useful settings for HDR. There\u2019s also the new \u201cVivid\u201d mode that JVC added previously for watching SDR sports or gaming in a room with some ambient light.<\/p>\n
The NZ700 retains the BLU-Escent laser diode light source with its claimed minimum 20,000-hour lifespan and greater consistency. Other features include motorised focus, zoom and shift controls, which makes installation easier, plus there are lens memories for different aspect ratios on a 2.35:1 screen. There\u2019s also a Filmmaker Mode, along with ISF-certified calibration controls.<\/p>\n
JVC\u2019s tone mapping remains state-of-the-art, with the latest proprietary Gen3 Frame Adapt HDR dynamically analysing HDR10 content on a frame-by-frame basis to optimise the image, while 18-bit gamma processing results in smoother and finer gradations. However, JVC has dropped the Theatre Optimiser, which enhances tone mapping based on your screen\u2019s size, shape and gain.<\/p>\n
In addition to the existing analysis of an incoming HDR signal, the NZ700 now reads the Display Mastering Luminance (DML) metadata that tells the tone mapping the peak brightness of the display on which the content was originally mastered. This is useful because the more metadata the tone mapping has to work with, the better the results in terms of the displayed HDR images.<\/p>\n
The NZ700 has a revised menu system compared to the NZ800 and NZ900, with a new main Setting Menu Select page. Here you choose between Picture Settings, HDMI Settings and Installation Settings. Once you\u2019ve selected the Settings you want to adjust, you\u2019ll find all the related sub-menus for those particular settings available, and you can move between them.<\/p>\n
\nDesign and features score: 4.5\/5<\/strong><\/li>\n<\/ul>\nJVC DLA-NZ700 projector review: picture quality<\/span><\/h2>\n\n\n
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Rear-panel ports include two HDMI 2.0 connections <\/span>(Image credit: Future)<\/span><\/figcaption><\/figure>\n\nDetailed and cinematic 4K delivery<\/strong><\/li>\nImpressive HDR tone mapping<\/strong><\/li>\nWide colour gamut filter<\/strong><\/li>\n<\/ul>\nThe JVC DLA-NZ700 is nothing short of a revelation, and delivers a performance that I could immediately see was comparable to the NZ800 I reviewed previously. There are similar components, such as the D-ILA chipset and laser light source, but I hadn\u2019t anticipated the new lens producing such a sharp image, nor did I expect the black levels to be quite so impressive.<\/p>\n
My first impressions were confirmed during testing, with the NZ700 delivering a contrast ratio of nearly 50,000:1, which is better than the earlier and more expensive NZ8. The laser brightness approaches the claimed 2,300 lumens, although you only hit these peaks in the Vivid mode, and in the preferable Filmmaker or calibrated Natural mode, this is closer to around 1,700 lumens.<\/p>\n
The out-of-the-box SDR accuracy is excellent with the white point close to the industry standard of D65, an even greyscale, and colours hitting their saturation targets for BT.709, but this can be improved through calibration. I was able to get reference accuracy using the built-in controls, and anyone spending nearly nine grand should really get their new NZ700 professionally calibrated.<\/p>\n
This accuracy also extends to HDR, with the NZ700 covering 97% of DCI-P3 with its colour filter in place. What\u2019s even better is the filter only reduces the brightness by about 15%, although if you\u2019d rather not use the filter (and with HDR10+ you don\u2019t have a choice), then the brightness increases, but the gamut coverage now drops to around 83% of DCI-P3 instead.<\/p>\n
The NZ700 may be more affordable, but it still includes JVC\u2019s class-leading HDR tone mapping with the beamer not only accurately tracking the PQ curve standard, but also using dynamic tone mapping to get the best out of content based on the available metadata and real-time analysis of the HDR signal. The ability to read the Display Mastering Luminance also helps in this regard.<\/p>\n
The Deep Black feature remains a useful addition, bringing slightly more detail out of shadows while keeping the blacks suitably inky. The Balanced dynamic laser setting is also useful, adding greater depth at the low end while also boosting the brightness at the other end without any \u2018pumping\u2019 in the image itself. The superior tone mapping ensures the highlights are also free of clipping.<\/p>\n\n\n
\n
The NZ700’s dynamic tone mapping feature is very adept at optimising its performance <\/span>(Image credit: Future)<\/span><\/figcaption><\/figure>\nThis NZ700 is equally impressive with motion handling, producing smooth pictures that are free of blurring and unwanted artefacts. The projector may be limited to 60Hz, but the motion with games remains excellent, although the responsiveness suffers due to the lack of a low-latency mode. As a result, this projector\u2019s input lag measures 51ms, which is probably too high for serious gamers.<\/p>\n
When it comes to SDR content, the NZ700 is a fantastic performer, producing detailed and natural images that enjoy added depth thanks to the impressive contrast ratios. Watching Samsara<\/em> on Blu-ray reveals a remarkably detailed image, and any concerns I had about the new 80mm lens using a combination of plastic and glass were dispelled by the finely rendered images on display.<\/p>\nMoving on to HDR, the NZ700 continues to dazzle with a spectacular delivery that retains all the fine details in the snowy landscapes of The Revenant<\/em>. The colours of The Greatest Showman<\/em> burst off the screen during the musical numbers, and the rain-soaked neon-lit streets of Gotham are bathed with beautifully rendered blacks, deep shadows and nuanced colours in The Batman.<\/em><\/p>\nThe dynamic tone mapping is very adept at optimising the performance of the NZ700, and the resulting HDR is often comparable to high-end video processors that cost more than the projector itself. When able to use the dynamic metadata of HDR10+, the results are equally impressive, and the kinetic and colourful Motorball sequences in Alita: Battle Angel<\/em> are brought vividly to life.<\/p>\n\nPicture quality score: 5\/5<\/strong><\/li>\n<\/ul>\nJVC DLA-NZ700 projector review: value<\/span><\/h2>\n\n\n
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The JVC NZ700’s fully backlit remote control <\/span>(Image credit: Future)<\/span><\/figcaption><\/figure>\n\nExceptional value for money<\/strong><\/li>\nHas no direct competitor<\/strong><\/li>\nThe sweet spot in JVC’s projector line-up<\/strong><\/li>\n<\/ul>\nThe JVC DLA-NZ700 represents remarkable value, especially when you consider it offers much of the same image quality and feature set as the more expensive DLA-NZ800. Yes, you lose support for 8K 60Hz, 4K 120Hz and 3D, plus there\u2019s no low latency mode, but in terms of overall picture performance there isn\u2019t a significant difference between the two, making the NZ700 a great choice for film fans looking to save a few bucks without compromising on contrast and HDR tone mapping.<\/p>\n
The NZ800 has a direct competitor in the form of the Sony Projector 8 (VPL-XW6100ES), which is priced at \u00a315,999 \/ $15,999, while the flagship DLA-NZ900 goes up against the Sony Projector 9 (VPL-XW8100ES), which costs \u00a325,999 \/ $31,999. However, the NZ700 currently has no direct competitor, and while it\u2019s more expensive than the NZ500, Sony VPL-XW5000ES and Epson EH-QB1000, when you consider its performance and features, it may well be the sweet spot in the JVC projector line-up.<\/p>\n
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\nJVC DLA-NZ700 projector<\/caption>\n \n\n\nAttributes<\/p>\n<\/th>\n
\nNotes<\/p>\n<\/th>\n
\nRating<\/p>\n<\/th>\n<\/tr>\n<\/thead>\n
\n\n\nDesign and features<\/p>\n<\/td>\n
\nCompact chassis, and backlit remote; motorised lens controls with memories, class-leading HDR tone mapping, and HDR10+ support, but no 4K 120Hz input or low-latency mode<\/p>\n<\/td>\n
\n4.5\/5<\/p>\n<\/td>\n<\/tr>\n
\n\nPicture quality<\/p>\n<\/td>\n
\nExcellent black levels and accurate 4K images combine\twith a bright and cinematic delivery with SDR and HDR<\/p>\n<\/td>\n
\n5\/5<\/p>\n<\/td>\n<\/tr>\n
\n\nValue<\/p>\n<\/td>\n
\nRemarkable value given the feature set and performance<\/p>\n<\/td>\n
\n5\/5<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n
Should I buy the JVC DLA-NZ700 projector?<\/span><\/h2>\n\n\n
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(Image credit: Future)<\/span><\/figcaption><\/figure>\nBuy it if…<\/h2>\nDon\u2019t buy it if\u2026\u00a0<\/h2>\nAlso consider…<\/span><\/h2>\n\n
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\nComparison: 4K projectors<\/caption>\n \n\nHeader Cell – Column 0 <\/span><\/th>\n \nJVC DLA-NZ700<\/p>\n<\/th>\n
\nJVC DLA-NZ800<\/p>\n<\/th>\n
\nEpson Pro Cinema LS1200<\/p>\n<\/th>\n<\/tr>\n<\/thead>\n
\n\n\nPrice:<\/p>\n<\/td>\n
\n\u00a39,499 \/ $8,999 \/ AU$14,999<\/p>\n<\/td>\n
\n\u00a0$15,999 \/ \u00a315,999 \/ AU$24,999<\/p>\n<\/td>\n
\n$4,999 (\u00a34,399 \/ about AU$7,090)<\/p>\n<\/td>\n<\/tr>\n
\n\nScreen sizes supported:<\/p>\n<\/td>\n
\n60 to 200 inches<\/p>\n<\/td>\n
\n60 to 200 inches<\/p>\n<\/td>\n
\n50 to 130 inches<\/p>\n<\/td>\n<\/tr>\n
\n\nBrightness (specified):<\/p>\n<\/td>\n
\n2,300 lumens<\/p>\n<\/td>\n
\n2,700 lumens<\/p>\n<\/td>\n
\n2,700 lumens<\/p>\n<\/td>\n<\/tr>\n
\n\nHDR support<\/p>\n<\/td>\n
\nHDR10, HDR10+,HLG<\/p>\n<\/td>\n
\nHDR10, HDR10+,HLG<\/p>\n<\/td>\n
\nHDR10, HLG<\/p>\n<\/td>\n<\/tr>\n
\n\nDisplay technology:<\/p>\n<\/td>\n
\nLaser, D-ILA<\/p>\n<\/td>\n
\nLaser, D-ILA<\/p>\n<\/td>\n
\nLaser, 3LCD<\/p>\n<\/td>\n<\/tr>\n
\n\nResolution:<\/p>\n<\/td>\n
\nNative 4K (4,096 x 2,160)<\/p>\n<\/td>\n
\nNative 4K (4,096 x 2,160)<\/p>\n<\/td>\n
\n4K (3,840 x 2,160)<\/p>\n<\/td>\n<\/tr>\n
\n\nConnections:<\/p>\n<\/td>\n
\n2x HDMI 2.0<\/p>\n<\/td>\n
\n2x HDMI 2.1 <\/p>\n<\/td>\n
\n2xHDMI 2.1<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n
How I tested the JVC DLA-NZ700 projector<\/span><\/h2>\n\n\n
\n
(Image credit: Future)<\/span><\/figcaption><\/figure>\n\nMeasured with Calman calibration software<\/strong><\/li>\nEvaluated using SDR and HDR content<\/strong><\/li>\nReviewed in a dedicated home cinema<\/strong><\/li>\n<\/ul>\nAs with all my TV and projector reviews, I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.<\/p>\n
The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark<\/em> 4K disc. Any test scenes have been specifically chosen to evaluate a display\u2019s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.<\/p>\nFor the objective testing, I measured the NZ700\u2019s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this, I used a pattern generator and colour meter combined with Portrait Display\u2019s Calman calibration software. I measured the NZ700\u2019s input lag in milliseconds using a specialised Leo Bodnar tester.<\/p>\n
First reviewed: May 2025<\/em><\/p>\n\n\n
JVC DLA-NZ700: Price Comparison<\/p>\n<\/div>\n<\/aside>\n<\/div>","protected":false},"excerpt":{"rendered":"
Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you\u2019re buying the best. Find out more about how we test. JVC DLA-NZ700 projector: two-minute review The JVC DLA-NZ700 is a new mid-range projector from the brand, combining its existing BLU-Escent laser light source and […]<\/p>","protected":false},"author":3,"featured_media":5784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-5783","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-blog"},"_links":{"self":[{"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/posts\/5783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/comments?post=5783"}],"version-history":[{"count":0,"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/posts\/5783\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/media\/5784"}],"wp:attachment":[{"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/media?parent=5783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/categories?post=5783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cicserver.com\/de\/wp-json\/wp\/v2\/tags?post=5783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}